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Handbooks & Companions

Theoretical Concepts


Sarah G. Wenzel
Literatures of Europe
& the Americas

Regenstein Library
Room 363

Selected New Acquisitions


Metz, Detlef. Das protestantische Drama: evangelisches geistliches Theater in der Reformationszeit un im konfessionellen Zeitalter. Koln: Bohlau, 2013.

Translation and Adaptation in Theatre and Film. Ed. Katja Krebs. New York: Routledge, 2014.

Meyer-Dinkgrafe, Daniel. Theatre, Opera and Consciousness: History and Current Debates. Amsterdam: Rodopi, 2013.

Snyder-Young, Dani. Theatre of Good Intentions: Challenges and Hopes for Theatre and Social Change. New York: Palgrave Macmillan, 2013.

Gobert, R. Darren. Mind-Body Stage: Passion and Interaction in the Cartesian Theatre. Stanford: Stanford University Press, 2013.

History of Collective Creation. Ed. Kathryn Mederos Syssoyeva.  New York: Palgrave Macmillan, 2013.

Radosavljevic, Duska.  Theatre-Making: Interplay between Text and Performance in the 21st Century. Basingstoke: Palgrave Macmillan, 2013.

Lorenz, Philip. Tears of Sovereignty: Perspectives of Power in Renaissance Drama. New York: Fordham University Press, 2013.

Elizabethan Translation and Literary Culture. Ed. Gabriela Schmidt. Berlin: De Gruyter, 2013.

Theatre and Performance in the Asia-Pacific: Regional Modernities in the Global Era. Basingstoke: Palgrave Macmillan, 2013.

Embodied Consciousness: Performance Technologies. Ed. Jade Rosina McCutcheon.  Basingstoke: Palgrave Macmillan, 2013.

Tomlin, Liz. Acts and Apparitions: Discourses on the Real in Performance Practice and Theory, 1990-2010. Manchester: Manchester University Press, 2013.

Machon, Josephine. Immersive Theatres: Intimacy and Immediacy in Contemporary Performance. Basingstoke: Palgrave Macmillan, 2013.

Wong, Jane Yeang Chui. Affirming the Absurd in Harold Pinter. New York: Palgrave Macmillan, 2013.

McTighe, Trish. Haptic Aesthetic in Samuel Beckett's Drama. New York: Palgrave Macmillan, 2013.

Eltis, Sos. Acts of Desire: Women and Sex on Stage, 1800-1930. Oxford: Oxford University Press, 2013.

Tornqvist, Egil. Drama as Text and Performance: Strindberg's and Bergman's Miss Julie. Amsterdam: Pallas Publications, 2012.

Gluhovic, Milija. Performing European Memories: Trauma, Ethics, Politics. Basingstoke: Palgrave Macmillan, 2013.

Theatre Translation in Performance. Ed. Silvia Bigliazzi. New York: Routledge, 2013.

Pearce, Joseph. Shakespeare on Love: Seeing the Catholic Presence in Romeo and Juliet. San Francisco: Ignatius, 2013.

Harding, James Martin. Ghosts of the Avant-Garde(s): Exorcising Experimental Theater and Performance. Ann Arbor: University of Michigan Press, 2013.

Reinventing the Renaissance: Shakespeare and His Contemporaries in Adaptation and Performance. Ed. Sarah Annes Brown. Basingstoke: Palgrave Macmillan, 2013.

Most, Andrea. Theatrical Liberalism: Jews and Popular Entertainment in America. New York: New York University Press, 2013.

Performance, Politics and Activism. Ed. Peter Lichtenfels.  Basingstoke: Palgrave Macmillan, 2013.

Blau, Herbert. Programming Theater History: The Actor's Workshop of San Francisco. London: Routledge, 2013.

Thornbury, Barbara E. America's Japan and Japan's Performing Arts: Cultural Mobillity and Exchange in New York, 1952-2011. Ann Arbor: University of Michigan Press, 2013.

Stevenson, Jill. Sensational Devotion: Evangelical Performance in Twenty-First Century America. Ann Arbor: University of Michigan Press, 2013.

Performance, Identity, and the Neo-Political Subject. ed. Matthew Causey.  New York: Routledge, 2013.

Practice as Research in the Arts: Principles, Protocols, Pedagogies, Resistances. Ed. Robin Nelson.  Basingstoke, Palgrave Macmillan, 2013.

Tamburini, Elena.  Gian Lorenzo Bernini e il teaatro dell'arte. Firenze: Le lettere, 2012.

Durham, Leslie Atkins. Women's Voices on American Stages in the Early Twenty-First Century: Sarah Ruhl and her ContemporariesNew York: Palgrave Macmillan, 2013.

Irish Drama: Local and Global Perspectives. Ed. Nicholas Grene. Dublin, Carysfort Press, 2012.

Szabo, Carmen.  The Story of Barabbas, the Company. Dublin: Carysfort Press, 2012.

Carney, Sean. Politics and Poetics of Contemporary English Tragedy. Toronto: University of Toronto Press, 2013.

Ichikawa, Mariko. Shakespearean Stage Space. Cambridge: Cambridge University Press, 2013.

Crowe, Sinead. Religion in Contemporary german Drama: Botho Strauss, George Tabori, Werner Fritsch, and Lukas Barfuss. Rochester: Camden House, 2013.

Waldron, Jennifer Elizabeth. Reformations of the Body: Idolatry, Sacrifice, and Early Modern Theater. New York: Palgrave Macmillan, 2013.

Reid, Trish. Theatre & Scotland. Basingstoke: Palgrave Macmillan, 2013.

Duggan, Patrick. Trauma Tragedy: Symptoms of Contemporary Performance. Manchester: Manchester University Press, 2012.

Bennett, Michael Y. Narrating the Past through Theatre: Four Crucial Texts. New York: Palgrave Macmillan, 2012.

Imagining Human Rights in Twenty-First-Century Theater: Global Perspectives. Ed. Brenda Werth. New York: Palgrave MacMillan, 2013.

Hughes, Amy E. Spectacles of Reform: Theater and Activism in Nineteenth-Century America. Ann Arbor: University of Michigan Press, 2012.

Feldman, Alexander. Dramas of the Past on the Twentieth-Century Stage: In History's Wings. New York: Routledge, 2013.

Indigenous North American Drama: A Multivocal History. Ed. Birgit Dawes.  Albany: State University of New York Press, 2013.

Werstine, Paul. Early Modern Playhouse Manuscripts and the Editing of Shakespeare. Cambridge: Cambridge University Press, 2013.

Nuss, Melynda. Distance, Theatre, and the Public Voice, 1750-1850. New York: MacMillan, 2012.

Performance and the Politics of Space: Theatre and Topology. Ed. Erika Fischer-Lichte. New York: Routledge, 2013.

Aston, Elaine. Good Night Out for the Girls: Popular Feminisms in Contemporary Theater and Performance. New York: Palgrave MacMillan, 2013.

Gods and Groundlings: Historical Theatrical Audience. Ed. E. Bert Wallance. Tuscaloosa: University of Alabama Press, 2012

Brown, Erica. Comedy and the Feminine Middlebrow Novel: Elizabeth Von Arnim and Elizabeth Taylor. London: Pickering & Chatto, 2013.

Szakolczai, Arpad. Comedy and the Public Sphere: The Rebirth of Theatre as Comedy and the Genealogy of the Modern Public Arena. New York: Routledge, 2013.

Gómez-Peña, Guillermo and Sifuentes, Roberto. Exercises for Rebel Artists: Radical Performance Pedagogy. New York: Routledge, 2011.

Critical Essays on British South Asian Theatre. Eds. Graham Ley and Sarah Dadswell. Exeter: University of Exeter Press, 2012.

Research Methods in Theatre and Performance. Eds. Baz Kershaw and Helen Nicholson. Edinburgh: Edinburgh University Press, 2011.

Kamaralli, Anna. Shakespeare and the Shrew: Performing the Defiant Female Voice. New York: Palgrave Macmillan, 2012.

Paavolainen, Teemu. Theatre/Ecology/Cognition. New York: Palgrave Macmillan, 2012.

Territorios Teatrales. Ed. Osvaldo Pellettieri. Buenos Aires: Galerna, 2012.

Performing Early Modern Drama Today. Ed. Pascale Aebischer. Cambridge: Cambridge University Press, 2012.

Identity, Performance and Technology: Practives of Empowerment, Embodiment and Technicity. Ed. Susan Broadhurst. Basingstoke: Palgrave Macmillan, 2012.

Jestrovic, Silvija. Performance, Space, Utopia: Cities of War, Cities of Exile. New York: Palgrave Macmillan, 2013.

Martin, Carol. Theatre of the Real. New York: Palgrave Macmillan, 2013.

Salata, Kris. Unwritten Grotowski: Theory and Practice of the Encounter. London: Routledge, 2013.

Wong, Katrine K. Music and Gender in English Renaissance Drama. NY: Routledge, 2013.

Angelaki, Vicky. Plays of Martin Crimp: Making Theatre Strange. NY: Palgrave Macmillan, 2012.

Johnson, Dominic. Theatre & the Visual. Basingstoke: Palgrave Macmillan, 2012.

Warner, Sara. Acts of Gaiety: Lost Performance and the Politics of Pleasure. Ann Arbor: University of Michigan Press, 2012.

Suzman, Janet. Not Hamlet: Meditations on the Frail Position of Women in Drama. London: Oberon, 2012.

Witt, Mary Ann Frese. Metatheater and Modernity: Baroque and Neobaroque. Madison: Fairleigh Dickinson UP, 2013.

Robinson, Mary B. Directing Plays, Directing People: A Collaborative Art. Lyme: Smith & Kraus, 2012.

Gutiérrez García, Rosa Maria. Modelo para el análisis de personajes dramáticos. Monterrey: Universidad Autónoma de Nuevo León, 2012.

Ledger, Adam J. Odin Teatret: Theatre in a New Century. NY: Palgrave Macmillan, 2012.

Quest for Cardenio: Shakespeare, Fletcher, Cervantes, and the Lost Play. Ed. David Carnegie. Oxford: OUP, 2012.

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