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Last Updated: May 1, 2013 URL: http://guides.lib.uchicago.edu/theater Print Guide RSS UpdatesShareThis

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Selected New Acquisitions

Tamburini, Elena.  Gian Lorenzo Bernini e il teaatro dell'arte. Firenze: Le lettere, 2012.


Durham, Leslie Atkins. Women's Voices on American Stages in the Early Twenty-First Century: Sarah Ruhl and her ContemporariesNew York: Palgrave Macmillan, 2013.

Irish Drama: Local and Global Perspectives. Ed. Nicholas Grene. Dublin, Carysfort Press, 2012.

Szabo, Carmen.  The Story of Barabbas, the Company. Dublin: Carysfort Press, 2012.

Carney, Sean. Politics and Poetics of Contemporary English Tragedy. Toronto: University of Toronto Press, 2013.

Ichikawa, Mariko. Shakespearean Stage Space. Cambridge: Cambridge University Press, 2013.

Crowe, Sinead. Religion in Contemporary german Drama: Botho Strauss, George Tabori, Werner Fritsch, and Lukas Barfuss. Rochester: Camden House, 2013.

Waldron, Jennifer Elizabeth. Reformations of the Body: Idolatry, Sacrifice, and Early Modern Theater. New York: Palgrave Macmillan, 2013.

Reid, Trish. Theatre & Scotland. Basingstoke: Palgrave Macmillan, 2013.

Duggan, Patrick. Trauma Tragedy: Symptoms of Contemporary Performance. Manchester: Manchester University Press, 2012.

Bennett, Michael Y. Narrating the Past through Theatre: Four Crucial Texts. New York: Palgrave Macmillan, 2012.

Imagining Human Rights in Twenty-First-Century Theater: Global Perspectives. Ed. Brenda Werth. New York: Palgrave MacMillan, 2013.

Hughes, Amy E. Spectacles of Reform: Theater and Activism in Nineteenth-Century America. Ann Arbor: University of Michigan Press, 2012.

Feldman, Alexander. Dramas of the Past on the Twentieth-Century Stage: In History's Wings. New York: Routledge, 2013.

Indigenous North American Drama: A Multivocal History. Ed. Birgit Dawes.  Albany: State University of New York Press, 2013.

Werstine, Paul. Early Modern Playhouse Manuscripts and the Editing of Shakespeare. Cambridge: Cambridge University Press, 2013.

Nuss, Melynda. Distance, Theatre, and the Public Voice, 1750-1850. New York: MacMillan, 2012.

Performance and the Politics of Space: Theatre and Topology. Ed. Erika Fischer-Lichte. New York: Routledge, 2013.

Aston, Elaine. Good Night Out for the Girls: Popular Feminisms in Contemporary Theater and Performance. New York: Palgrave MacMillan, 2013.

Gods and Groundlings: Historical Theatrical Audience. Ed. E. Bert Wallance. Tuscaloosa: University of Alabama Press, 2012

Brown, Erica. Comedy and the Feminine Middlebrow Novel: Elizabeth Von Arnim and Elizabeth Taylor. London: Pickering & Chatto, 2013.

Szakolczai, Arpad. Comedy and the Public Sphere: The Rebirth of Theatre as Comedy and the Genealogy of the Modern Public Arena. New York: Routledge, 2013.

Gómez-Peña, Guillermo and Sifuentes, Roberto. Exercises for Rebel Artists: Radical Performance Pedagogy. New York: Routledge, 2011.

Critical Essays on British South Asian Theatre. Eds. Graham Ley and Sarah Dadswell. Exeter: University of Exeter Press, 2012.

Research Methods in Theatre and Performance. Eds. Baz Kershaw and Helen Nicholson. Edinburgh: Edinburgh University Press, 2011.

Kamaralli, Anna. Shakespeare and the Shrew: Performing the Defiant Female Voice. New York: Palgrave Macmillan, 2012.

Paavolainen, Teemu. Theatre/Ecology/Cognition. New York: Palgrave Macmillan, 2012.

Territorios Teatrales. Ed. Osvaldo Pellettieri. Buenos Aires: Galerna, 2012.

Performing Early Modern Drama Today. Ed. Pascale Aebischer. Cambridge: Cambridge University Press, 2012.

Identity, Performance and Technology: Practives of Empowerment, Embodiment and Technicity. Ed. Susan Broadhurst. Basingstoke: Palgrave Macmillan, 2012.

Jestrovic, Silvija. Performance, Space, Utopia: Cities of War, Cities of Exile. New York: Palgrave Macmillan, 2013.

Martin, Carol. Theatre of the Real. New York: Palgrave Macmillan, 2013.

Salata, Kris. Unwritten Grotowski: Theory and Practice of the Encounter. London: Routledge, 2013.

Wong, Katrine K. Music and Gender in English Renaissance Drama. NY: Routledge, 2013.

Angelaki, Vicky. Plays of Martin Crimp: Making Theatre Strange. NY: Palgrave Macmillan, 2012.

Johnson, Dominic. Theatre & the Visual. Basingstoke: Palgrave Macmillan, 2012.

Warner, Sara. Acts of Gaiety: Lost Performance and the Politics of Pleasure. Ann Arbor: University of Michigan Press, 2012.

Suzman, Janet. Not Hamlet: Meditations on the Frail Position of Women in Drama. London: Oberon, 2012.

Witt, Mary Ann Frese. Metatheater and Modernity: Baroque and Neobaroque. Madison: Fairleigh Dickinson UP, 2013.

Robinson, Mary B. Directing Plays, Directing People: A Collaborative Art. Lyme: Smith & Kraus, 2012.

Gutiérrez García, Rosa Maria. Modelo para el análisis de personajes dramáticos. Monterrey: Universidad Autónoma de Nuevo León, 2012.

Ledger, Adam J. Odin Teatret: Theatre in a New Century. NY: Palgrave Macmillan, 2012.

Quest for Cardenio: Shakespeare, Fletcher, Cervantes, and the Lost Play. Ed. David Carnegie. Oxford: OUP, 2012.

Have requests for the collection? Ask!

Browse new acquisitions online at http://www.lib.uchicago.edu/e/newbooks/.  (See PN for general theory.)

 

Subject specialists

EXTER Alexandra | Operetta I; plate 6 from the set Decors de theatre (Stage Sets). | 1930 | Russian

Sandra J. Roscoe

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Sarah G. Wenzel 

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